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This is the final performance of ‘Electric’, a collaboration between myself and Dixie. We will be performing it in class on 5/3/2013.

 

Electric Final

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Software for the Laptet

On April 17, 2013 By

The TAMU Laptet performed with this instrument at the Electric La-Tex regional music festival when we hosted it at TAMU in 2009. We used a modified version that could capture sound live from improvising keyboardist Ivan Božicevic, a visiting guest artist from Croatia.

WaveDrag software

We’ll use Wiimotes in class, but the [...]

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Pitch Team notes 3/28/13

On March 29, 2013 By

Pitch teams and leaders:

Mason: Build a Time Machine Taylor: Photo/Sounds Michael: Drums Meet Piano, etc.

Each team leader is responsible for creating a post that communicates their assigned concept to a newcomer audience, by class time Tuesday. Use text, drawings you make, images from the internet, etc. as needed to get your idea across. [...]

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Notes from 3/19/13

On March 19, 2013 By

Steve Reich, Come Out

http://www.youtube.com/watch?v=g0WVh1D0N50

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Notes from 3/7/13

On March 8, 2013 By

Terry Riley, In C

Score Wikipedia

Robert Rauschenberg, Erased de Kooning

Robert Rauschenberg – Erased De Kooning – YouTube

Bowed piano ensemble

http://www.youtube.com/watch?v=14jPvnWhdNM

Victor Borge, Hungarian Rhapsody #2 as piano duo

http://www.youtube.com/watch?v=qyArTMtgT1w

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Stockhausen, Klavierstück XI for piano (see the score here) Berio, Sequenza I for flute (see an excerpt here) Pousseur, Scambi for tape (hear realizations of it here, and glance at the notes explaining how each performer realized the piece) Boulez, Third sonata for piano(hear a performance here)

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Synaesthesia(-inspired) Notes

On February 11, 2013 By

Today, we watched part of (architect and artist) Le Corbusier’s film accompanying Varèse’s Poème Électronique presented with sound moving across 425 speakers in the Philips Pavillion at the 1958 World’s Fair in Brussels.

Here is the video.

Here is a page discussing the piece [...]

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Semiotics and Models Notes

On February 11, 2013 By

Here is Barthes’ interpretation of the multi-modal message in a pasta ad. Thinking in one direction, it means multiple modes of expression or experience can be used to support an idea. Thinking in the other direction, we can see how an idea or real world phenomenon can be [...]

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Virtuality & Humanness Notes

On February 5, 2013 By

Key concepts

Barthes, degree zero Eco, open work Coleridge, suspension of disbelief Mori, uncanny valley Benjamin, aura Baudrillard, mediatization, hyperreal Phelan, reproducability

Playing on presence

Chatbots Ian Bogost and Ian McCarthy, Twittering rocks Ken Goldberg, Telegarden Second Front,  The gate Scott Kildall and Victoria Scott, No [...]

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Authenticity

On January 31, 2013 By

While our readings have focused on “authenticity” or similar terms in specific ways (e.g., Eco and openness/validity, Benjamin and aura, Barthes and authenticity, Phelan and ontology, and Auslander and “we don’t care anymore”), we’ll try to put a finger on what’s behind it all, and call it substance, whether it’s in effort, creativity, or uniquenes.

[...]

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